C Codd

A COMFORTING IN TRUTH One of the most wonderful and comforting truths which the Ancient Wisdom brings to us is the fact there is in reality no death anywhere in the Universe. Nothing ever ceases to exist, it but changes its state. In the words of the poet Longfellow:
"There is no death, What seems so is transition"

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Comments on "The Voice of the Silence"

by Clara Codd


I think this is the most sublime and splendid scripture that ever was written. Everybody has a favourite. Dr. Arundale, I remember, liked At the Feet of the Master, that was his beloved, and Dr. Besant The Bhagavad Gita, and I heard Mr. Jinarajadasa say that his favourite was Light on the Path. Well, my favourite by a long way is The Voice of the Silence. I think there is such a wonderful compassionate note about it. The difference between At the Feet of the Master and the other three is that the other three are mystical treatises, but At the Feet of the Master is ascetical. These three describe the sublime states of consciousness or try to do so. At the Feet of the Master does not describe that at all. It just gives us plain rules for every day living. It is like the Christian Imitation of Christ. It tells us how to live, but does not describe states of consciousness. H.P.B. says that she knew certain treatises by heart when she was in Tibet, and she has picked out what she thought would help us most. I often wonder nowadays where the others are, and if they are safe now that the Communists have come into Tibet. She also talked about the Gurus, the teachers. They do not know very much more than do their disciples, and they all have their own methods, but beyond the Himalayas, among the trans-Himalayan School, there is only one method. And she told us that these books were written by the great Arhats of the Buddha when they emigrated into Tibet, and if I remember rightly, C.W. Leadbeater told us that quite a number of these precepts were written by the great teacher Aryasanga. They were written in a sort of cryptic language, picture language, that you could read in many different tongues. I wonder if some of them are written in what is called the Senzar, because H.P.B. Says she studied the Senzar when she was in Tibet, and the Senzar is the sacred root of Sanskrit, and it was brought over from Venus by the Great Adepts, six and a half million years ago. I suppose it is a language hardly anyone knows except in certain esoteric schools, but Sanskrit is a derivative from the Senzar, and I expect that is why it is called the Devanagari, God language, Deva language. It is the sacred language in the East, like Latin used to be in the West. She says at the end of the preface, I have done my best to preserve the poetical beauty of the language and imagery which characterizes the original. C.W. Leadbeater told us that she was helped in doing this by the Master Hilarion, the one who wrote Light on the Path. He helped H.P.B. and it is the most beautiful language. When you remember that H.P.B. didn't know English very well, yet she managed to put it in the most splendid words. The Master must have helped her; she could not have done it by herself.

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  3. To investigate unexplained laws of nature and the powers latent in humanity.



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